Yoasobi たぶん

Yoasobi songs in anime
Ayase and ikura relationship
Ayase

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Review: X-Men: Apocalypse

I’ve never called out someone else’s review in one of my reviews before. It’s tacky and pointless, but when you’re the only quote on the movie box, and you’ve dubbed this movie, “One of the coolest superhero movies of the decade”; I have to wonder what fucking movie you watched. To quickly sum up what you can expect from this film: everything Bryan Singer has ever done in an X-Men movie. The buildup is the same, the pacing the same. The really bad attempts at comedy… sadly still there.

Here’s how it goes: He builds up the threat of the villain. He also uses this moment to explain why Apocalypse hasn’t been around. He’s been buried, and no sunlight has hit him. After the villain moment, we check in with our main characters that have all been scattered. Magneto has a family, Mystique is saving mutants, Charles is running a big ass school. Apocalypse is woken up by Moria who returns in this film; she lets the sun in and this finishes whatever stupid excuse of a transfer Apocalypse was doing.

Let’s pause and talk about his powers. He can transfer his m

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Yoasobi

Japanese pop duo

Yoasobi^[A] is a Japanese pop duo formed in 2019. It consists of musician and record producer Ayase and singer-songwriter Lilas Ikuta, under the moniker Ikura. With the slogan "novel into music", the duo originally released songs based on selected fictional stories posted on Monogatary.com [ja], a social media website for creative writing operated by Sony Music Entertainment Japan. Sources later also come from various media like stories written by professional authors, books, letters, plays, etc.

Rising to prominence during the COVID-19 pandemic in Japan, Yoasobi's debut single, "Yoru ni Kakeru", spent six non-consecutive weeks atop Billboard Japan Hot 100 and topped its 2020 year-end chart, the first ever non-CD single to do so, as well as receiving the first ever diamond certification for streaming from the Recording Industry Association of Japan (RIAJ). Besides "Yoru ni Kakeru", three other songs were also certified diamonds: Blue Period-inspired "Gunjō" and opening themes for anime Beastars "Kaibutsu" and Oshi no Ko

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Hair Metal

Primary Stylistic Influences:

Secondary Stylistic Influences:

Don't need nothing but a good time
How can I resist?
Ain't looking for nothing but a good time
And it don't get better than this
— Poison, "Nothin' But a Good Time"

A subset of Hard Rock and Heavy Metal, crossed with pop (think of lighters-aloft power ballads), it was popular mainly during The '80s, so-called because of the tendencies of the musicians to sport teased, dyed and moussed '80s Hair. Some bands accentuated this by wearing androgynous clothing, spandex and sometimes makeup as well. While none of this was actually originated by Hair Metal itself, the decade's emphasis on visual presentation and stage spectacle has made the style synonymous with the term (which, today, is commonly used in a decidedly derisive tone). To the ire of fans of other metal sub-genres, hair metal codified the general public's image of metal; when a layperson refers to "heavy metal" (or even "hard rock"), they most likely mean this genre, when they don't think of some weird, heavy Frankenstein of Death