Paola morsiani biography married

Departing curator Paola Morsiani steered the Cleveland Museum of Art to a closer embrace of contemporary art

View full sizeCourtesy the Cleveland Museum of ArtPaola Morsiani: "âI worked behind the scenes to make sure that contemporary art would be a strong component in the fabric and mindset of the museum.â

Paola Morsiani, the dynamic, hardworking curator of contemporary art at the Cleveland Museum of Art, deserves warm congratulations for her latest career leap.

A native of Vicenza, Italy, who has spent much of her career in the United States, Morsiani last week was named director of the Neuberger Museum of Art, part of Purchase College in Westchester County, N.Y., just outside of New York City. She starts work there July 1, with six curators and a total staff of 19.

Morsiani certainly merits the opportunity. She added important and sometimes edgy works to the Cleveland collection. Her East Wing galleries, where she rotated newly purchased and loaned works frequently, were the liveliest spaces in the museum, now undergoing a $350 million expansion and renovation due for compl

Cleveland Institute of Art touts its own history in shows on Robert Mangold, Julian Stanczak and Ed Mieczkowski
Cleveland.com, 11/06/2011
Steven Litt

One of the best-kept secrets at the Cleveland Institute of Art is that the institution has made some pretty hefty contributions to the history of modern and contemporary art in America.

That explains why the four-year undergraduate art college is paying tribute this fall to the minimalist abstractions of New York painter Robert Mangold, class of 1959; and the Op Art paintings of former faculty members Julian Stanczak and Ed Mieczkowski.

Two interrelated shows on Mangold and on Stanczak and Mieczkowski, opened Friday under the rubric, “Masters of Abstraction.” They function together as a luminous and optimistic celebration of geometry and color. They also offer a look at recent works — most from the past decade — by three important American artists whose viewpoints crystallized decades ago and whose careers were influenced, to greater and lesser degrees, by the art institute.

It’s a moment to let your chest fill with pride o

Do Ho Suh

South Korean sculptor (born 1962)

In this Korean name, the family name is Suh.

Do Ho Suh (Korean: 서도호; Hanja: 徐道濩; born 1962) is a South Korean artist who works primarily in sculpture, installation, and drawing. Suh is well known for re-creating architectural structures and objects using fabric in what the artist describes as an "act of memorialization."[2] After earning a Bachelor of Fine Arts and Master of Fine Arts from Seoul National University in Korean painting, Suh began experimenting with sculpture and installation while studying at the Rhode Island School of Design (RISD). He graduated with a Bachelor of Fine Arts in painting from RISD in 1994, and went on to Yale where he graduated with a Master of Fine Arts in sculpture in 1997. He practiced for over a decade in New York before moving to London in 2010. Suh regularly shows his work around the world, including Venice where he represented Korea at the 49th Venice Biennale in 2001. In 2017, Suh was the recipient of the Ho-Am Prize in the Arts. Suh currently lives and works

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