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Swim Into The Sound’s 15 Favorite Albums of 2024

This year frightened me. Too often, it felt like things could turn on a dime at any moment. I’m talking about that sudden, drop-in-your-stomach type of worsening that is both abrupt and disorienting. There were also moments where it felt like everything was gliding along effortlessly: complete bliss, total contentment, and unadulterated happiness, if only for a short bit. 2024 was a year of bouncing around, saying “yes,” and trying to follow my gut. Quite often, it led me to some beautiful moments. 

This year contained some of my greatest personal strides, painful lows, and profound revelations. I experienced strife in my career (both internal and external) for the first time in like a half-decade. Over the course of 2024, this job wound up contorting my heart and warping my brain in really painful ways. It was uniquely distressing, but I’m free now and on to better things, which is all that matters. On a more light-hearted note, I also kept a mustache all year, so that felt like a real marker in my life. This year, I saw S

Corey Taylor: Seven Deadly Sins

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The action begins in West Des Moines, Iowa, where Corey Taylor, frontman of Slipknot and Stone Sour, systematically set about committing each of the Seven Deadly Sins. He has picked fights with douche bags openly brandishing guns.

ISBN:9780091938468
Author:Corey Taylor
Page:253
Binding:Soft cover
Publication date:2012
Format:Book
Publisher:EBURY PRESS
Language:English

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He has set himself on fire at parties and woken up in dumpsters after cocaine binges. He lost his virginity at eleven. He got rich and famous and immersed himself in booze, women, and chaos until one day he realised, suddenly, that he didn't need any ofthat at all.

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DAATH:

  • The Hinderers (2007) A hybrid of technical death metal, symphonic metal, and black metal with a bunch of crazy solos thrown into the mix. The combination sounds cool, but overall I think the results are a little bland and disjointed. First, if you know Bloodbath, you know what to expect from the death metal portion of the CD, midpaced material that has some faster bits, but not too much in the blasting / doublebass department. Lots of keyboards on this album, and overall, I think that's the part I dig the least. Stuff that should sound symphonic and grand instead come off as mid-80s videogame music. I applaud the experimentation, but the samples just strike me as too primitive. And the "rave" style samples just do not work with the otherwise aggressive mood of the album. Vocal wise, midpaced growls. And there's a lot of guitar solos in this album, some really nice work actually, a few of the solos are really well written. Some songs are cool, but many lack energy, and a lot of these riffs leave you that feeling of deja-vu. Production is excellent, thanks to James Murp

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