Compagne de thomas dutronc

Thomas dutronc et son fils
Thomas dutronc vie privée
Thomas dutronc et sa compagne photos

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Françoise Hardy

French singer (1944–2024)

Françoise Madeleine Hardy (French:[fʁɑ̃swazmadlɛnaʁdi]; 17 January 1944 – 11 June 2024) was a French singer-songwriter who was known for singing melancholic, sentimental ballads. Hardy rose to prominence in the early 1960s as a leading figure in French yé-yé music and became a cultural icon in France and internationally. In addition to her native French, she also sang in English, Italian, and German. Her musical career spanned more than 50 years, with over 30 studio albums released. She also represented Monaco at the Eurovision Song Contest 1963.

Born and raised in the 9th arrondissement of Paris, Hardy made her musical debut in 1962 on French label Disques Vogue and found immediate success through the song "Tous les garçons et les filles". Drifting away from her early rock and roll influences, she began to record in London in 1964, which allowed her to broaden her sound with albums such as Mon amie la rose, L'amitié, La maison où j'ai grandi, and Ma jeunesse fout le camp.... In the late 1960s and early 1970s, she r

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Photo: Yann Orhan

Diana Krall, Stacey Kent, Iggy Pop, Jeff Goldblum, and Billy Gibbons of ZZ Top are among the artists who agreed to join Thomas Dutronc in revisiting some of the greats of French chanson, numbers by Piaf, Trenet, and Claude François – in their international version, in English. All of this is enhanced by a cool, jazzy, and most sophisticated musical showcase, produced by the excellent Jay Newland (Eric Clapton, Stevie Wonder, Juliette Gréco). And this, thanks indirectly to a certain… Donald Trump!

“We were looking for a project that would allow us to travel a little bit with our music in non-French-speaking countries. And we thought of this idea around the time of Trump’s French-bashing. We said to ourselves that France is nonetheless a gentle way of life, a sense of humour, beautiful songs, wine and cheese… At first, I wasn’t necessarily enthusiastic about the idea of covering songs that exist in sublime, historical versions,” Dutronc explains, insisting that if it was a question of just doing covers, even with very good musicians, it

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